Press


Thomas C. Hase - Reviews/Articles

Pelléas et Mélisande ,
Four Seasons Centre, Toronto 2008
Review by John Terauds/The Star
Review by John Coulbourn/Sun Review

The Fortunes of King Croesus,
Opera North, Leeds, UK & Minnesota Opera, 2007 & 2008
Review by Heidi Waleson/The Wall Street Journal

The Blond, The Brunette and the Vengeful Redhead,
Cincinnati Playhouse in the Park, 2008
Review by Cincinnati Enquirer/Jackie Demaline
Review by City Beat/Rick Pender

Cincinnati Opera renews Thomas Hase's contract.

The Fortunes of King Croesus, Opera North, Leeds, UK, 2007
Review by The Independent on Sunday/Lynne Walker

Othello, Cincinnati Playhouse in the Park, 2007
Review by Cincinnati Enquirer/Jackie Demaline

Cosi Fan Tutte, Cincinnati Opera 2007 Season
Review by Cincinnati Enquirer/Janelle Gelfand

Elektra, Canadian Opera Company, Toronto, Canada, 2007
Review by Now Magazine/Glenn Sumi
Review by Toronto Star/John Terauds
Review by Toronto Star/John Coulbourn

La Boheme, Seattle Opera, 2007
Review by The Herald/Mike Murray
Review by Seattle Weekly/Gavin Borchert
Review by Crosscut/Thomas May
Review by Seattle Times/Melinda Bargreen

Luisa Miller, Canadian Opera Company, Toronto, Canada, 2007
Review by Toronto Star/John Terauds

Rise & Fall in the City of Mahagonny, Los Angeles Opera, 2007
Review by Hollywood Reporter/Madeline Shaner
Review by Opera West/David Gregson
Review by Theatre Mania/Les Spindle
Review by Variety/Allan Rich
Review by LA Maiinia

Company, Broadway, 2006
Review by Variety/David Rooney
Review by NY Post/Clive Barnes
Review by NY Times/Ben Brantley
Review by New York Times/Charles Usherwood

The Wiz, Stage Entertainment, Utrecht, Netherlands, 2006
Review by Leeuwarder Courant/Wim Vervoot
Article by Ellen Lampert-Gréaux

Waiting for the Barbarians, Theater, Erfurt, Erfurt, Germany, 2005
Review by Seen and Heard Internat'l/Marc Bridle

A Doll's House, Irish National Theatre, Dublin, Ireland 2005
Review by RTE/Jim McMahon

La Voix Humaine, 7 Deadly Sins and Medusa, Cincinnati Opera, 2003
Review by Cincinnati Post/Mary Ellyn Hutton

Smell of The Kill, Cincinnati Playhouse in the Park, 2003
Article by Lighting Dimenstions/David Barbour

Elektra, Cincinnati Opera, 2002
Review by Cincinnatti Post/Mary Ellyn Hutton
Troy A. Martin-O'Shia - Reviews/Articles

"Souvenir", Media Theatre, 2008
Review by Philadelphia Inquirer/Wendy Rosenfield
Review by Citypaper/Mark Cofta

"Carmina Burana", Girard College, Philadelphia, PA 2006
Review by ExploreDance.com/Merilyn Jackson

"Dream Girls", Prince Music Theatre, 2005
Review by Variety/Toby Zinman

Boat House Row, Philadelphia, 2005
Review by LED Central
Review by Live Design
Review by Professional Lighting Design

"A Year with Frog and Toad", Arden Theatre, 2004
Review by CityPaper.net/David Anthony Fox

"Merry Wives of Windsow", Pettronello Gardens Amphitheatre, Princeton, NJ 2003
Review by Variety/Robert Daniels

"Flag Day", Studio Theatre, 2004
Review by Potomac Stages

"Brighton Beach Memoirs", Walnut Street Theatre, 2006
Review by Potomac Stages

"Hidden Sky", Prince Music Theatre, 2000
Review by Space.com/Jyle Bartlett

"Notice Should Be Paid", Painted Bride Art Center, 2000
Review by Dance Magazine/Brenda Gottschild

"The Old Settler", Freedom Repertory Theatre 2000
Review by NY Theatre Wire/Dorothy Chansky

"Earth To Moon", Arts Bank 1999
Review by Citypaper/Jonathon David Jackson

"Treasure Island", Cheltenham Center for the Arts, 1995
Review by Citypaper/Cary Mazer


Hase & Associates, Ltd., Copyright 2008